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The Millennium / Begin (US, promo, Columbia, CS 9663) その③
The Millennium / Begin (US, promo, Columbia, CS 9663) その③ (SIDE 1) XSM136542-1C (SIDE 2) XSM136543-1C 久しぶりに美盤を発見したので購入。価格は昔の倍に上がってきていますね。いずれ下がるんでしょうけど、、、 https://www.youtube.com/watch?v=8nuu86BHa7A&list=PLuX3i5mdbQK4BQkuSiXuEAtk6k0WRSMDa&index=14 なかなかアルバムが完成させられずお金がかかりすぎ、会社にお荷物扱いされ、会社に媚をうって書かれた曲とどこかで読んだ気がします。それも冗談だったのかもしれませんが。
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The Beach Boys / Sunflower (US, Reprise Records;Brother Records, RS 6382) <August 31, 1970> その②
The Beach Boys / Sunflower (US, Reprise Records;Brother Records, RS 6382) <August 31, 1970> その② (SIDE 1) RS-6382 31007-A-1A (SIDE 2) RS-6382 31008-B-1A 『サンフラワー』 (Sunflower) は、1970年にリリースされたザ・ビーチ・ボーイズのアルバム。リプリーズ移籍後初のアルバム。 本作は「ビルボード」誌チャート最高151位とセールス的には不振だったが、主要ソングライターのブライアン・ウィルソンやマイク・ラヴ以外のメンバーも、積極的に曲作りに参加して多彩な音楽性を示し、現在では彼らの1970年代の作品で最良の作品と見なされている。特に4曲を提供したデニス・ウィルソンと、ビーチ・ボーイズのメンバーとしては本作で初めてリード・ヴォーカルを披露したブルース・ジョンストンの躍進が著しい。 メンバーが実子たちと芝生上で戯れる表ジャケット写真は、クルーナー歌手ディーン・マーティンの息子リッキ・マーティンにより、ディーン所有のゴルフコースで撮影された。リッキは1977年にカール・ウィルソンのプロデュースにより唯一のアルバム『ビーチド (BEACHED)』を発表する。 【Wikipedia】 https://www.youtube.com/watch?v=RO_LX-m74uw
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Rickie Lee Jones / Girl At Her Volcano (US, Warner Bros. Records, 1-23805) <June 1, 1983>
Rickie Lee Jones / Girl At Her Volcano (US, Warner Bros. Records, 1-23805) <June 1, 1983> (1) 1-23805-A-RE1-SH2 SLM △4319 (2) 1-23805-B RE2-SH2 SLM △4319-X After touring through much of 1982 following the release of Pirates, Rickie Lee Jones released the Girl at Her Volcano EP. It contains three live recordings, a few new studio ones and recordings left over from earlier studio sessions. "Hey, Bub" was the first song originally written by Jones for Pirates in September 1979. The live recording of "Something Cool" was not included on the original vinyl EP release, but on the Musicassette release of the same year and later on CD pressings. Earlier recordings of this song can be found on June Christy's 1954 album Something Cool, and Julie London's 1960 album Around Midnight (which features also "Lush Life"). Other cover versions on the EP include the Left Banke's "Walk Away Renée" (famously covered by the Four Tops), the Drifters' classic "Under the Boardwalk", the American songbook standard "My Funny Valentine" and the little-known Lani Hall original "So Long". [Wikipeia] https://www.youtube.com/watch?v=vvLd8FgDBMw
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Joe Cocker / I Can Stand A Little Rain (A&M Records, SP-3633) その②
Joe Cocker / I Can Stand A Little Rain (A&M Records, SP-3633) その② (1) SP-3633-SP-3669-RE-1-M2 KENDON MR △19186(3) (2) SP-3633 SP-3670 RE-1 M1 KENDON MR △19186-X(7) In 1973, in the midst of uncertainty career-wise, Joe Cocker teamed up with Jim Price, a trumpet player turned producer, who had previously been member of Cocker's touring band. "Jim rekindled my interest," Cocker said in an interview for "Blank Space" in 1979. "Jim called and played me 'You Are So Beautiful', he just came round the house and said, 'What's wrong?' And he played me 'I Can Stand a Little Rain,' which turned out to be the title of the album. The two things that kind of re-fired me into work again, and consequently drove me insane in the process." I Can Stand a Little Rain found the singer working with top songwriters and session players, including Chuck Rainey, Cornell Dupree and Bernard Purdie, as well as future Toto founder members David Paich and Jeff Porcaro. Some of the writers, like Randy Newman and Jimmy Webb, ended up performing on Cocker's covers of their songs. The album is, however, particularly noticeable for the song "You Are So Beautiful", originally released on Billy Preston's The Kids & Me album. Ultimately, it went on to become one of Cocker's bigger hits, reaching No. 5 on the Billboard Hot 100, proving this album to eventually become a hit. The original idea was that of a double album but A&M did not approve of it. The rest of the songs recorded during the sessions were released in April 1975 on Cocker's next album Jamaica Say You Will, which was not equally successful. In 2013, "The Moon's a Harsh Mistress" was re-recorded by Jimmy Webb in a duet with Joe Cocker. It turned out to be Cocker's final recorded performance. [Wikipedia] https://www.youtube.com/watch?v=WvAr9umnZ54
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Rickie Lee Jones / Rickie Lee Jones (US, Warner Bros. Records, BSK 3296) その②
Rickie Lee Jones / Rickie Lee Jones (US, Warner Bros. Records, BSK 3296) その② (1) #4 〇34620 BSK-1-3296 WM1 mo#2 (2) #3 〇34620 Mo#3 BSK-2-3296 WM1 Guitar – Buzzy Feiten, Fred Tackett, Rickie Lee Jones Mandolin – Fred Tackett Keyboards – Mac Rebennack, Neil Larsen, Ralph Grierson, Randy Kerber, Rickie Lee Jones, Victor Feldman Accordion – Nick DeCaro Bass – Red Callender, Willie Weeks Drums – Andy Newmark, Jeffrey Porcaro, Mark Stevens , Steve Gadd, Victor Feldman Horns – Chuck Findley, Ernie Watts, Tom Scott Backing Vocals – Arno Lucas, Joe Turano, Leslie Smith, Matthew Wiener, Michael McDonald, Rickie Lee Jones Jones had begun playing live in the Los Angeles area at the age of 21, and after meeting singer-songwriter Alfred Johnson, the pair began writing and performing live together (most notably at the Ala Carte club.) Two of their collaborations, "Weasel and the White Boys Cool" and "Company," would later be recorded for Jones' debut album. She also sang jazz standards, as well as a song penned by her father ("The Moon Is Made of Gold") in her live sets. Jones' performances around Los Angeles aroused interest from other local songwriters, as well as local record company executives. At a label showcase, Jones performed originals, including "Chuck E.'s in Love", "The Real Thing Is Back in Town" and "The Moon Is Made of Gold." This showcase performance, plus a demo containing "The Last Chance Texaco", "Easy Money", "Young Blood" and "After Hours" led to a record deal with Warner Bros. For her major label debut, Jones scrapped "The Real Thing Is Back in Town," but used the titular line in one of the album's tracks – "Coolsville." Recording sessions (which began in September 1978) yielded eleven songs for inclusion on an album. Two of the songs – "On Saturday Afternoons in 1963" and "After Hours" – were recorded live on December 22, 1978. [Wikipedia] https://www.youtube.com/watch?v=VBa0f2rztAE
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Rickie Lee Jones / Pirates (US, Warner Bros. Records, BSK 3432) その②
Rickie Lee Jones / Pirates (US, Warner Bros. Records, BSK 3432) その② (1) BSK-1-3432 S1 + SLM+ △737 ANDREA DORIA B-15888-S1 + (2) BSK-2-3432 S2 ANDREA DORIA + SLM+ △737-X B-15889-S2+ "Pirates" is the second studio album by American singer-songwriter Rickie Lee Jones, released on July 15, 1981, by Warner Bros. Records. The follow-up to her 1979 self-titled debut album, Pirates is partially an account of her break-up with fellow musician Tom Waits after the success of her debut album. The cover is a 1976-copyrighted photo by Brassaï. The album peaked at No. 5 on the Billboard 200 and was certified Gold by the Recording Industry Association of America on September 30, 1981, for sales of 500,000 copies.The album remained on the UK album charts for three months, and was certified Silver by the British Phonographic Industry. [Wikipedia] https://www.youtube.com/watch?v=0pXxJhH3P2w
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David Blue / Stories (US, Asylum, SD 5052) <September 15, 1971>
David Blue / Stories (US, Asylum, SD 5052) <September 15, 1971> (SIDE ONE) ST-AS-712333-AAA-1 (SIDE TWO) ST-AS-712334-CCC-1 モディリアーニの作品のようなジャケの絵が最高、というだけで買ってみて内容までよくて後悔しなかった作品。 https://www.youtube.com/watch?v=37MYQwyg_1g A-1）Looking for a Friend 3:43 A-2）Sister Rose 3:55 A-3) Another One Like Me 3:19 A-4) House of Changing Faces 6:26 B-1) Marianne 4:39 B-2) Fire in the Morning 3:53 B-3) Come on John 3:42 B-4) The Blues (All Night Long) 6:26 John Barbata ; Drums David Blue ; Guitar, Piano, Vocals, Producer Ry Cooder ; Guitar, Slide Guitar Rita Coolidge ; Vocals Chris Ethridge ; Bass Milt Holland ; Percussion Anthony Hudson ; Art Direction, Design, Cover Art Pete Jolly ; Accordion Jim Karstein ; Drums Russ Kunkel ; Drums Jack Nitzsche ; Strings, String Arrangements Bob Rafkin ; Bass, Guitar, Producer Ralph Schuckett ; Keyboards Ralph Shuckett ; Organ
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Clark Terry / The Happy Horns Of Clark Terry (US, Impulse! , A-64) <1964>
Clark Terry / The Happy Horns Of Clark Terry (US, Impulse! , A-64) <1964> Recorded ; March 13, 196 Clark Terry - trumpet, flugelhorn Phil Woods - alto saxophone, clarinet Ben Webster – tenor saxophone Roger Kellaway – piano Milt Hinton – bass Walter Perkins – drums https://www.youtube.com/watch?v=-9DhVwLkbUk&list=OLAK5uy_me2a4XJy5g_P3IpO5GhuBepcIIKmpAA0Y
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Benny Golson / Take A Number From 1 To 10 (US, Argo, LP 681)
Recorded at Nola's Penthouse Sound Studio in New York City on December 13, 1960 (tracks 1–4), December 14, 1960 (tracks 5–7) and April 11, 1961 (tracks 8-10) (Side 1) LP-681 S-1 10847 (Side 2) LP-681 S-2 10848 Argoでの初録音。ソロから始まり、デュオ、トリオと徐々に人が増えていくユニークな構成です。 Benny Golson – tenor saxophone Art Farmer (track 10), Bernie Glow (tracks 9 & 10), Freddie Hubbard (tracks 5–7), Nick Travis (tracks 8–10) – trumpet Willie Ruff – French horn (tracks 8–10) Bill Elton (tracks 8–10), Curtis Fuller (tracks 6 & 7) – trombone Hal McKusick – alto saxophone (tracks 8–10) Sol Schlinger (tracks 8–10), Sahib Shihab (track 7) – baritone saxophone Cedar Walton – piano (tracks 4–7) Tommy Williams – bass (tracks 2–10) Albert Heath – drums (tracks 3–10) https://www.youtube.com/watch?v=em9Fhx-n7PE
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Astor Piazzolla / The American Clave Recordings (Germany, Nonesuch, 075597915297) <3LP BOX, 2022> disc 3
Astor Piazzolla / The American Clave Recordings (Germany, Nonesuch, 075597915297) <3LP BOX, 2022> disc 3 1988年の "The Rough Dancer and the Cyclical Night (Tango Apasionado)" と同じです。 Recorded in New York City in 1987, the album was produced by Kip Hanrahan and Piazzolla.Its music was originally developed as a theater performance about the history of the tango. Piazzolla, who played the bandoneon, recorded the album with his Quinteto Tango Nuevo. Paquito D'Rivera played saxophone on Rough Dancer.Pablo Ziegler and Pablo Zinger played piano; Zinger had acted as the musical director for the stage production.[citation needed]Horacio Malvicino played guitar. Piazzolla wrote in the liner notes of his desire to have the music sound as if it were played by "'half-drunk musicians in a bordello.'" https://www.youtube.com/watch?v=UMylHDXqvuA&list=PLk1P-3is2nvHhl1M4iATJFtNVPirFaPC1&index=11
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Astor Piazzolla / The American Clave Recordings (Germany, Nonesuch, 075597915297) <3LP BOX, 2022> disc 2
Astor Piazzolla / The American Clave Recordings (Germany, Nonesuch, 075597915297) <3LP BOX, 2022> disc 2 1989年の"La Camorra"です。 Composed By, Arranged By – Astor Piazzolla Bandoneon – Astor Piazzolla Bass – Hector Console Guitar [Electric] – Horacio Malvicino Piano – Pablo Ziegler Violin – Fernando Suárez Paz Producer – Kip Hanrahan https://www.youtube.com/watch?v=bsaurUkYczY
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Astor Piazzolla / The American Clave Recordings (Germany, Nonesuch, 075597915297) <3LP BOX, 2022> disc 1
Astor Piazzolla / The American Clave Recordings (Germany, Nonesuch, 075597915297) <3LP BOX, 2022> disc 1 ボックスの1枚目は「タンゴ；ゼロ・アワー」。オリジナルと同じ曲順・内容です。 "Tango: Zero Hour" (Nuevo Tango: Hora Zero in Spanish) is an album by Ástor Piazzolla and his Quinteto Nuevo Tango (in English: New Tango Quintet, often loosely referred to as his second quintet). It was released in September 1986 on American Clavé, and re-released on Pangaea Records in 1988. https://www.youtube.com/watch?v=YgEeBDxFDpY&list=PLk1P-3is2nvH9tVtyQ3-7pyYXgN1jv397
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Astor Piazzolla / The American Clave Recordings (Germany, Nonesuch, 075597915297) <3LP BOX, 2022>
Astor Piazzolla / The American Clave Recordings BOX Barcode (Box Set): 0 75597 91529 7 Barcode (LP 1 Tango Zero Hour): 0 75597 91519 8 Barcode (LP 2 La Camorra): 0 75597 91513 6 Barcode (LP 3 The Rough Dancer and the Cyclical Night (Tango Apasionado)): 0 75597 91505 1 Nonesuch Records releases a three-LP box set of albums from the great Argentine composer, bandleader and bandoneón player Astor Piazzolla - originally released by American Clavé Records in the 1980s and reissued by Nonesuch more than two decades ago. Astor Piazzolla: The American Clavé Recordings marks the first time this landmark trio of albums - Tango: Zero Hour, La Camorra: The Solitude of Passionate Provocation, and The Rough Dancer and the Cyclical Night (Tango Apasionado) - is being issued as a set, now remastered, and is the first time the albums have been available on vinyl since their initial release on American Clavé. The set's liner notes include original and new notes by the albums' producer and American Clavé founder Kip Hanrahan as well as an in-depth essay from journalist Fernando González, who translated and annotated Piazzolla's memoirs and wrote liner notes for four of his albums. Originally scheduled for release in Piazzolla's centenary year 2021, the 2022 set now inaugurates the beginning of the second century of Piazzolla's lasting influence. ピアソラの最晩年の「アメリカン・クラーヴェ3部作」。「タンゴ；ゼロ・アワー」（September 1986）、「ラフ・ダンサー」（1988）、「ラ・カモーラ」（1989）のセットで、3枚とも発売時以来20年以上ぶりのLP再発です。 死ぬほど音楽を聴いてきたこの人生、100枚のレコードを選ぶとしたら「タンゴ；ゼロ・アワー」「ラ・カモーラ」は絶対に入れるし、もしかしたら10枚選ぶときにも「ラ・カモーラ」は入れます。 https://www.youtube.com/watch?v=B-h-TRKJrsE
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Red Garland / Halleloo-Y'-All (US, Prestige, PR 7288) <1964>
Red Garland / Halleloo-Y'-All (US, Prestige, PR 7288) <1964> Recorded ; July 15, 1960 at Van Gelder Studio, Englewood Cliffs, New Jersey (A) PRLP-7288 A (B) PRLP-7288 B Red Garland – piano, organ Sam Jones – bass Art Taylor – drums https://www.youtube.com/watch?v=jo2ZCpdnuIE ガーランドは神。プロモはまず見かけません。
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King Crimson / Red (US, Atlantic, SD 18110) <September 27, 1974>
King Crimson / Red (US, Atlantic, SD 18110) <September 27, 1974> (ONE) ST-A-743201-A AT (TWO) ST-A-743202-A AT Guitar, Mellotron – Robert Fripp Bass, Vocals [Voice] – John Wetton Percussion [Percussives] – William Bruford* Alto Saxophone – Ian McDonald Cornet – Marc Charig Oboe – Robin Miller Soprano Saxophone – Mel Collins Violin – David Cross 何度聞いても飽きません・・・ https://www.youtube.com/watch?v=cLoQADJnGr4&list=PLXhfRoiJBIislZ9MHBBNYK0h3N30Gv7Ja&index=3
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